In over 50 years of existence, the ever-evolving Chicano art has shaped itself into one of the main movements of the American creative canon. Established among four cultures ―the Pre-Columbian, the invasive Hispanic, Mexico itself, and the United States of America― Chicano art draws on all four and evolves out of both its roots and the decades of oppression its practitioners and their families have sustained.

Born in the middle 1960s ―along with Vietnam War protesters and the Black Power Civil Rights movement― the Chicano movement challenged racial categorization and derisive stereotypes widespread in the Anglo population as well as the dropout-riddled public education establishment that proclaimed Latinos too inferior to attain a middle-class standard of living.

These issues became the subjects of early Chicano artists. The expressionistic, outspoken realism of their works appealed to an art public that had become jaded by successive establishment trends in non-representative painting.

And, even though Chicanos and Latinos have made progress economically, socially, and politically, they continue being a marginalized group. The advancements and hardships of the past five decades have helped shape Chicano and Latino art’s evolution. These artists have expanded their creative expression, demonstrating an agility to develop and refine their own mythologies, methodologies and philosophies. They have introduced a remarkable school of art into the history of art itself.